It's a hard thing to explain, but the more I arrange for strings, the more I realize the possibilities.

I remember when I was 5 or 6 years old, gospel music felt familiar, like I had heard it in the womb or something. A lot of those old gospel songs still give me that feeling, that it's older than time and there's actually music that can tap into a universal subconscious, or whatever word you want to put on it.

I don't like the way recording to digital sounds.

I'm somebody who doesn't feel the need to be in the driver's seat all the time. I appreciate the perspective of being in the passenger's seat sometimes, and I feel fortunate for that because I've learned a lot from that perspective.

I definitely don't see myself as much of a singer, because my upbringing is really based around the guitar, learning chord progressions and that sort of thing. So the singing aspect of what I do has been a secondary adventure.

I got into one Metallica record. That was about it. I never got into AC/DC or Black Sabbath or any of that. I was interested in the side of heavy metal that had interesting guitar ideas, but that was a very short-lived thing.

The production process has a great way of bringing songs to light and that's a big part of it.