[My House By The Water] is a nice instrumental track. The sound of the water is from the same place where the front photo was taken. I live really close to the airport, so there's also planes going over. It's kind of to remind me of living in there, because I'm not gonna be living in there for very much longer.

[Chamber of Reflection off of Salad Days]I think it's probably that one. There's no guitar on that song, I've never recorded a song with absolutely no guitar, which is interesting. The idea behind it, well it's a Free Mason reference because before they become Free Mason's they had to go into this room called the Chamber of Reflection where they think about the life they brought with them, the life they've lived up until this point and all their wrong and right doings. And that's basically what I did with this album.

Their [Phoenix] audience wasn't into us at all. The way most of the venues worked was there was no alcohol on the floor so usually during our set most people were in the lobby getting their drink on.

Everybody's a multifaceted, emotional, living being, I think. Sometimes it's fun to goof around, sometimes you've got to think about things, sometimes you've got to be strange, and then you've got to be jiggly. That's just what being a human's all about.

Usually when festivals are really huge it's kind of weird. It's totally fun for me and my band to play in front of a crowd that doesn't necessarily know who we are, but festivals get pretty impersonal when they get super large.

I recorded this album in a windowless room in Brooklyn by myself. I think Chamber of Reflection sums the album up better than Salad Days to tell you the truth.

In Europe, people tend to be very respectful. They try not to make too much noise at inappropriate times. In other countries, people can be very still. Sometimes I'm not sure if a crowd is into it until the end, when they usually want me to do something crazy for the encore.