I'm really aware of the conversations that surround young actresses in Hollywood. I always get myself into a hole with these conversations, and I get weirdly quoted, and I sound militant and like I'm not thankful at all, and I'm so thankful of everything that's happening. But I'm an active observer of the machinations of this world.

I went to Europe and, as I've been told, ate my way out of a career.

A weird thing about being an actress is that shooting movies doesn't feel like watching movies. It feels like being in a warehouse.

I went to theater school, and if I spent time with one school of thought in this whole acting game, it's the Meisner approach of improvise-based acting. This does not mean that you improvise your acting, but that you focus on the other person.

I was imagining a long life of being a stone cold loser. Then I got a job, which was really nice, then I got a great agent, a great manager, which was really nice. I was doing a lot of set ups, and, you know, I got to start working in L.A.

I don't just act to pay my rent. I really like doing it, so I get frustrated when I don't get to do it all the time, so short films are a really great way to be doing it and working with your friends, working on smaller, more specific things without limiting yourself in other ways.

I've just sort of jumped into relationships and moved in with people way too soon.