I was imagining a long life of being a stone cold loser. Then I got a job, which was really nice, then I got a great agent, a great manager, which was really nice. I was doing a lot of set ups, and, you know, I got to start working in L.A.

One of the reasons I don't do social media is that I like the feeling that if somebody asks me for a picture on the street, I don't have to say yes.

You can make a beautiful, airtight world that's fascinating to look at, but it's not interesting unless you have a character that's trying to achieve something under the circumstances of that world. It's harder to play a wacky girlfriend whose journey you just don't understand.

I went to theater school, and if I spent time with one school of thought in this whole acting game, it's the Meisner approach of improvise-based acting. This does not mean that you improvise your acting, but that you focus on the other person.

I've just sort of jumped into relationships and moved in with people way too soon.

I just like the insides of things and finding ways into microscopic worlds. There's also an element of control, taking things apart and putting them back together. It's a very tedious task. You can be alone and create a world for yourself.

I modeled for a little while in college. I was desperate to travel, and I got scouted, and they wanted me to go to Paris and London for six months. And I discovered that I hated it. I didn't like the expectation to be pretty all the time.