Nobody knows the world of emotion I'm inhabiting right now.

I'm not a runner, and I always dreamed about just throwing on my sneakers and really knocking everyone's socks off with my joy of traversing the world by foot.

I feel really comfortable when the camera is rolling. I feel less comfortable in the moments before and after, like, "Okay, where do I sit now?" I find the social aspect of being on a project ... it's just a lot. There are so many new people, and it's a lot of introducing the most charming, most engaging, funniest version of yourself to, essentially, a bunch of strangers you already know too many details about.

Nobody knows the world of emotion I'm inhabiting right now.

I just like the insides of things and finding ways into microscopic worlds. There's also an element of control, taking things apart and putting them back together. It's a very tedious task. You can be alone and create a world for yourself.

It was really unusual to go from being in university for four years to all of a sudden acting every day. I'd never been able to do it exclusively like that. It was always sort of like my secret thing that I did privately.

How you choose to present yourself to the world shows what's meaningful to you - and what you want others to think is meaningful to you.