With each book I write, I become more and more convinced that the books have a life of their own, quite apart from me.

I like the fact that in ancient Chinese art the great painters always included a deliberate flaw in their work: human creation is never perfect.

Artists of all disciplines must be willing to go into the dark, let go control, be surprised.

When I look at the galaxies on a clear night - when I look at the incredible brilliance of creation, and think that this is what God is like, then instead of feeling intimidated and diminished by it, I am enlarged . . . I rejoice that I am a part of it.

When the artist is truly the servant of the work, the work is better than the artist; Shakespeare knew how to listen to his work, and so he often wrote better than he could write; Bach composed more deeply, more truly than he knew, Rembrandt's brush put more of the human spirit on canvas than Rembrandt could comprehend. When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.

One cannot be humble and aware of oneself at the same time.

In reading we must become creators. Once the child has learned to read alone, and can pick up a book without illustrations, he must become a creator, imagining the setting of the story, visualizing the characters, seeing facial expressions, hearing the inflection of voices. The author and the reader "know" each other; they meet on the bridge of words.