I listened to Billie Holiday a lot in order to learn to sing. She remains one of the extraordinary jazz singers. But my intent is to become my own voice, to be able to interpret these songs in my own way.

I was very lucky. Things happened, both bad and good, but I never got into real, deep trouble. But it wore me down. By the time I was 18, I was done. I didn't want to live the life any more. I needed to develop past the point that busking takes you to.

My parents were older than normal when they had me, and had been very into the politics of the 1960s, so I was brought up in that atmosphere.

Seeing how those companies operate, it didn't amount to a massive vote of confidence in their artists. There was talk of me going to Columbia after that, but nothing happened. I got disillusioned, and I pulled back.

It's great to have other people's help. Then the music gets heard. There's a lot more commercial support for that now.

I think I was probably an early teenager when I discovered Bessie Smith, Ma Rainey and a bunch of people that are on a long list of artists. They were important to me, especially as an early adolescent.

I had my guitar and some talent so that I could make friends with intelligent people and could talk my way out of difficult situations.