I think I was probably an early teenager when I discovered Bessie Smith, Ma Rainey and a bunch of people that are on a long list of artists. They were important to me, especially as an early adolescent.

I was very lucky. Things happened, both bad and good, but I never got into real, deep trouble. But it wore me down. By the time I was 18, I was done. I didn't want to live the life any more. I needed to develop past the point that busking takes you to.

My father's record collection was full of New Orleans music of all kinds. I used to listen to the radio in New York, and all there was on it at the time was Madonna and Michael Jackson, so it sort of passed me by.

I think I was probably an early teenager when I discovered Bessie Smith, Ma Rainey and a bunch of people that are on a long list of artists. They were important to me, especially as an early adolescent.

My parents were older than normal when they had me, and had been very into the politics of the 1960s, so I was brought up in that atmosphere.

I listened to Billie Holiday a lot in order to learn to sing. She remains one of the extraordinary jazz singers. But my intent is to become my own voice, to be able to interpret these songs in my own way.

It's great to have other people's help. Then the music gets heard. There's a lot more commercial support for that now.