My mind is filled with cataclysm and apocalypse. I wish for earthquakes, eruptions, flood.

The very dull truth is that writing love scenes is the same as writing other scenes - your job is to be fully engaged in the character's experience. What does this mean to them? How are they changed by it, or not? I remember being a little nervous, as I am when writing any high-stakes, intense scene (death, sex, grief, joy).

In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun.

She wants you to be a god," I told him. "I know." His face twisted with embarrassment, and in spite of itself my heart lightened. It was such a boyish response. And so human. Parents, everywhere.

We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.

In making Achilles and Patroclus lovers, I wasn't trying to speak for all gay men, just as when I write straight characters, I don't claim to speak for all straight people. My job as an author is to give voice to these very particular characters - these two men, in this time, and in this place

I would still be with you. But I could sleep outside, so it would not be so obvious. I do not need to attend your councils. I—' 'No. The Phthians will not care. And the others can talk all they like. I will still be Aristos Achaion.' Best of the Greeks. 'Your honor could be darkened by it." 'Then it is darkened.' His jaw shot forward, stubborn. 'They are fools if they let my glory rise or fall on this.