Being blond is definitely a different state of mind. I can't really put my finger on it, but the artifice of being blond has some incredible sort of sexual connotation.

Nowadays New-York is not the exciting place it used to be. It still has great energy; I still put my finger in the socket. But it doesn't feel alive, cracking with that synergy between the art world and music world and fashion world that was happening in the 80s. A lot of people died.

People hear the soul, black influence in my voice. I grew up listening to CKLW and all the black stations like WLBS.

I was working with Toby Gad, who spent a lot of time in India. There's a sitar [in "Body Shop"] and the song has a very Indian flavor to it. I liked the idea of the body of a car as a kind of sexual metaphor - What you do to a car, what you do in a car - drive. So, lots of innuendos, and lots of fun.

Effeminate men intrigue me more than anything in the world. I see them as my alter egos. I feel very drawn to them. I think like a guy, but I'm feminine. So I relate to feminine men.

A fire lit under my ass? Yeah, that's true. No time to waste.

I think that life is a paradox and you have to embrace that in your work and your belief systems... You can't be a literalist, and that's the trouble that people always find themselves in. That's why people always hit a wall with any of my stuff, because you can't take it literally.