I was used to dancing, but only when someone told you what to do. So in the nightclub I was all over the place, I combined everything. Street dance, modern dance, a bit of jazz and ballet, I was Twyla Tharp, I was Alvin Ailey, I was Michael Jackson. I didn't care, I was free.

If it's bitter at the start, then it's sweeter in the end.

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Obviously, I feel a great sense of responsibility being a good parent and raising my children. I don't take that job very lightly. Who they are, what they become and what they contribute to the world is very important to me.

I want the good life, but I don't want an easy ride. What I want is to work for it, feel the blood and sweat on my fingertips.

Nowadays New-York is not the exciting place it used to be. It still has great energy; I still put my finger in the socket. But it doesn't feel alive, cracking with that synergy between the art world and music world and fashion world that was happening in the 80s. A lot of people died.

I know there's a lot of competition in the world of magazines and newspapers and we have to make headlines and be sensational and sell, and saying bad things about me is going to sell more papers than writing good things about me.