Everybody wants a big crowd. You get amazed sometimes with certain things that millions of people are watching and you go, "Serious?! Really?!" And then, there are things that you really, really enjoy and not a lot of people are watching. It's very, very hard to predict how it works.

I became a dancer late and an actor late.

I think it would be pretty cool if my kids were super kids.

When you do a TV show, there's always the fear that it will become tired and you'll know exactly what's going to happen.

One thing I can say about the French language is that no one in the world loves their language as much as they do.

I'm in a very lucky position. You have to remember that 95 percent of all actors aren't working. I'm actually able to go to France and work. It's a situation I couldn't have dreamt up.

The criteria [to take or refuse the role] is that I would love to have some kind of dialogue or communication with the director. I need to understand that we can communicate and that we like communication. That's something I have to have a strong feeling about. Secondly, I have to find the script intriguing or interesting. I don't have to understand the whole script, but I do have to find it intriguing. If those two things are present, that would probably be a yes.