Sometimes you have a period piece where you have to research around it but, if the writers have done their homework well enough, the information is all in the script.

I ask a million questions, and I insist on having answers. I think that is what we have to do. I have to know what the director wants. Some are very much in their head, and I need to force it out of them. I just can't play around for eight hours and see if something happens.

I have an enormous metabolism, so I'm lucky.

All actors have to believe that our characters have a point that makes sense. Hopefully, they make sense to the crowd watching it, but at least he has to make sense in his own mind, in his own universe.

I take my work enormously seriously. When I do something, it has to feel right. Everything has to be right. I’m not ambitious about my career, but I am ambitious with each job. I can be fairly annoying to work with. No compromises, let’s put it this way. Compromises are from hell.

I would have turned any offer down, if it had turned into a thriller. I would have seen no point in a thriller here. I don't need to entertain people, on top of what we were doing. It's not a question of whether he did it or not. I would have thought that was banal and uninteresting, and I wouldn't care. And it could have also turned into a shoot-out because there were a lot of guns in the film.

Yeah, I do all the stuff I can. Let’s be frank, if you are in an action film, you are not in it for the characters, you are in it for the action – the stunts. If they take that away from you, it’s a sad story. Ha ha! I have damaged everything: knees, elbows, ribs. But I’m an old gymnast. I know how to survive.