I'm not the kind of actor who runs around and insists on being called Stravinsky by everybody, and my family has to call me Igor. I'm not that kind of actor. I think that's pretentious.

I'm a big fan of film for one reason: because it is visual.

I'm one of the actors who really enjoys working with kids and animals, which is always a no go. There's something beautiful about it because you tend to forget yourself, as an actor.

I'm in a very lucky position. You have to remember that 95 percent of all actors aren't working. I'm actually able to go to France and work. It's a situation I couldn't have dreamt up.

I ask a million questions, and I insist on having answers. I think that is what we have to do. I have to know what the director wants. Some are very much in their head, and I need to force it out of them. I just can't play around for eight hours and see if something happens.

I'm not the kind of actor who runs around and insists on being called Stravinsky by everybody, and my family has to call me Igor. I'm not that kind of actor. I think that's pretentious.

The criteria [to take or refuse the role] is that I would love to have some kind of dialogue or communication with the director. I need to understand that we can communicate and that we like communication. That's something I have to have a strong feeling about. Secondly, I have to find the script intriguing or interesting. I don't have to understand the whole script, but I do have to find it intriguing. If those two things are present, that would probably be a yes.