Danish film is spreading in a fantastic way.

Once you do one bad guy, usually all you get offered is bad guys.

The criteria [to take or refuse the role] is that I would love to have some kind of dialogue or communication with the director. I need to understand that we can communicate and that we like communication. That's something I have to have a strong feeling about. Secondly, I have to find the script intriguing or interesting. I don't have to understand the whole script, but I do have to find it intriguing. If those two things are present, that would probably be a yes.

I do read some of the scripts from America and, even though the themes or subject of the film is very interesting, and some of the scenes are very interesting, there is a tendency that they have to explain everything. There will be no dilemma. This guy was evil, and this girl was very sweet. And in the end, we'd have to see eight endings because we'd also have to know what happened to the uncle. It's like, "Are you kidding me?!"

Everyone who makes a Star Wars film wants to make it their own but they also have to be true to the concept.

All actors have to believe that our characters have a point that makes sense. Hopefully, they make sense to the crowd watching it, but at least he has to make sense in his own mind, in his own universe.

I think it would be pretty cool if my kids were super kids.