I have a three-piece suit. I’m an art collector. I have a funny accent. So I’m probably the killer.

Once you do one bad guy, usually all you get offered is bad guys.

I became a dancer late and an actor late.

Actors are very good at not revealing anything, so they're safe.

I tend not to have any references to anything. I just jump into the script in front of me. If you reference too much, you have no idea if the performances are right.

I'm not the kind of actor who runs around and insists on being called Stravinsky by everybody, and my family has to call me Igor. I'm not that kind of actor. I think that's pretentious.

The criteria [to take or refuse the role] is that I would love to have some kind of dialogue or communication with the director. I need to understand that we can communicate and that we like communication. That's something I have to have a strong feeling about. Secondly, I have to find the script intriguing or interesting. I don't have to understand the whole script, but I do have to find it intriguing. If those two things are present, that would probably be a yes.