If you're going to play a hooker in a movie, the movie has to have the perspective, of course, that it isn't such a great thing. Probably the only way to really play a hooker well is to believe you're doing something that's good. But at the same time, the movie can't have that point of view.

What I think is new is the wealth of roles for actual women in television and in film. That's what I think is revolutionary and evolutionary.

Who can I trust? You have to invest in somebody and chances are you're probably going to invest in somebody who's going to deceive you. I've been conned a couple of times, but now I'm a little more savvy.

I don't feel that way now. I don't want to make movies for the 10 people who feel exactly the same way about the world that I do. I want to make movies that many, many people see, and I want to say something that I believe is important in a way that people who don't agree with me can hear. And that involves making different kinds of choices, but it's not like a compromise that I'm making. It's that something else interests me, something else is appealing to me.

Having an education is invaluable.

I remember people saying, "Believe me, everything in your life is going to change..." And I thought, "Why? That's such a bourgeois way of thinking." And then you have a child and yes, everything changes. It affects the way we live, what we do, and where we go - everything. And I wouldn't have in any other way.

Ten years ago, it was really difficult for a young actress to walk onto a set and disagree with the director and having that be OK and have a conversation about it and everyone be cool with it.