I think writing kind of burns out the flaming question. Sometimes it might feel like when you're living with certain paradoxes and they're unarticulated, you feel pressure to choose. I feel more comfortable living in the paradoxes that I've named and laid out, whereas when I started they might have felt like real agitations. At least I see them more clearly after having sketched them for myself and made a place to stand in relationship to them that felt okay enough to last through the course of a book.

I know that a lot of feminist fears about the trans movement have been, "Wait, we never got to the part where we focus on women! We tried for a minute, but we don't want to lose the category all of a sudden. We haven't heard yet from the females with children called mothers, we haven't heard yet from all these groups!" On the one hand I'm very sympathetic to that, but the category of Women or Mothers, any of these categories, are on shifting sands and always have been.

I love language. It doesn't bother me that its effects are partial. To me that is very sanity-producing. It would be weird if the effects of language were more than partial, if your whole life existed within your texts. That would be much scarier to me than language being an inadequate tool to represent.

Art to me is not precious enough that I feel territorial about what the word gets applied to. Conversations about what counts as art and what doesn't doesn't captivate my attention very much.

It's a lot easier to write about people when you're not living with them!

I think writing kind of burns out the flaming question. Sometimes it might feel like when you're living with certain paradoxes and they're unarticulated, you feel pressure to choose. I feel more comfortable living in the paradoxes that I've named and laid out, whereas when I started they might have felt like real agitations. At least I see them more clearly after having sketched them for myself and made a place to stand in relationship to them that felt okay enough to last through the course of a book.

I don't ever believe in violence as a kind of medicine.