It's true I don't tolerate fools but then they don't tolerate me, so I am spiky. Maybe that's why I'm quite good at playing spiky elderly ladies.

Don't be defeatist, dear, it's very middle class.

I don't think films about elderly people have been made very much. I think of Cocoon and Driving Miss Daisy. But they always seem to be fairly successful, so it's a bit baffling as to why everybody has to be treated as if they were five-years-old.

I think there's always great tension because there never seems to be enough - there is always pressure. There's always pressure because there isn't enough time. There's never enough time for a movie, it seems to me. Never.

There are responsibilities which are parental responsibilities and those are the types of things we prepare the next generation for, but no one tells you how to answer the kids' questions in the backseat of the car when they want to know what the world is for or where they came from or why any of this is happening.

I had no idea that that was around in the family anywhere. Maybe it never was. But - so they broke the way for me, if you know what I mean. I have no idea where I got the idea from to do what I do. But I think they - Ian and Alistair, my brothers kind of opened a lot of doors for me onto the world - you know, made it seem to be a very, very interesting place.

My career is chequered. Then I think I got pigeon-holed in humour; Shakespeare is not my thing.