There is a kind of invisible thread between the actor and the audience, and when it's there it's stunning, and there is nothing to match that.

I like being outside and working with the elements. The elemental aspects of it. The physicality of it.

I think he [Leonardo DiCaprio] is a terrific actor. And I've - I've been rooting and voting for him since "Gilbert Grape." I thought he was so amazing in that one. He was a young man, really very young boy.

There are responsibilities which are parental responsibilities and those are the types of things we prepare the next generation for, but no one tells you how to answer the kids' questions in the backseat of the car when they want to know what the world is for or where they came from or why any of this is happening.

I don't think films about elderly people have been made very much. I think of Cocoon and Driving Miss Daisy. But they always seem to be fairly successful, so it's a bit baffling as to why everybody has to be treated as if they were five-years-old.

I find it very difficult to do anything on my own now because people recognize me. This has never happened to me before because I haven't really done television before. But I suppose if you're in people's rooms all the time, I don't know - I was thinking the other night with people like DiCaprio and, you know, those big stars and Cate Blanchett, and you just think how did they exist? It's so difficult. And I think now it's very intrusive because of these cellphones, you know, with cameras.

I'm so moved to hear Celia Johnson again, so lovely.