Interesting choice," Sullivan said. He slid his gaze over to Paul, who was drumming his fingers on the table in a manic, caffeine-inspired way and blinking a lot. Paul wasn't out-and-out singing along with the king of the dead, but he might as well have put out a big neon sign saying "How's My Driving? Ask Me About My Nerves: 1-800-WIG-N-OUT." --James

Afterward, Isabel drove me home and I shut myself in the study with Rilke, and I read and I wanted. And leaving you (there arent words to untangle it) Your life, fearful and immense and blossoming, So that, sometimes frustrated, and sometimes understanding Your life is sometimes a stone in you, and then, a star I was beginning to undertand poetry.

I wanted a library like this...[] A cave of words that I'd made myself.

Folded in my arms you're a butterfly in reverse you're giving up your wings and inheriting my curse you're letting go of me you're letting go

I didn't say I would start a yard." "You didn't have to. I'll come back next year and you'll have a nest of horses outside your window and Puck Connolly in your bed and I'll buy from you instead of Malvern. That's your future for you.

The world needs more love at first sight.

Sean pushes up to his feet and stands there. I look at his dirty boots. Now I've offended him, I think. He says, "Other people have never been important to me, Kate Connolly. Puck Connolly." I tip my face up to look at him, finally. The blanket falls off my shoulders, and my hat, too, loosened by the wind. I can't read his expression--his narrow eyes make it difficult. I say, "And now?" Kendrick reaches to turn up the collar on his jacket. He doesn't smile, but he's not as close to frowning as usual. "Thanks for the cake.