My father had a lot to do with me thinking about acting, though he never saw me act. He passed away probably - he passed away as I was doing my first play, but I just think being exposed to it and being around it. It wasn't something that I ever thought I couldn't do because I grew up around it.

My father had a lot to do with me thinking about acting, though he never saw me act. He passed away probably - he passed away as I was doing my first play, but I just think being exposed to it and being around it. It wasn't something that I ever thought I couldn't do because I grew up around it.

When you graduate is when you start to find yourself looking at the information in the audition breakdown and it says tall black African - or African-American built such and such. And you start seeing these character descriptions and seeing that, oh, you're only going in for the ones that are described as your look.

Between the two [parents], it was a really unique upbringing, I think, especially for where I was from.

This is 2003, 2004. And then I started - after the Patriot Act, I would always get my financial packages in the mail and they would just be opened. And it was like, what is going on here?

My dad moved to New York after he won "Soul Train" and the car and got settled in out there and was able to step right into Dance Theatre of Harlem and felt like he was in a show called "Omnibus" and "American Dance Machine."

How do I transform and be believable as Krogstad in "A Doll's House" or Sir Peter Teazle in "A School for Scandal".