How do I transform and be believable as Krogstad in "A Doll's House" or Sir Peter Teazle in "A School for Scandal".

I think what I've learned from working on "Moonlight" is we see what happens when you persecute people. They fold into themselves.

What inspires me today is a desire to get closer to an understanding of what my artistic capacities are with the hope of organically sharing my gifts with an audience in the most heightened way I possibly can.

It felt like it disrupted my rhythm in growing up. But I will say that I'm really grateful for [my mother's] own personal transition.

I played all four years [at St. Mary's College] with - at a certain point, basketball became the thing I was doing most, but it was really in my periphery.

I had read some books on the Baha'i Faith. I had read - I was looking into Buddhism and trying to understand sort of the agnostic approach, so there was just a bunch of stuff I was just looking at.

I got into [acting] so late because of sports. And then when I was in grad school, I sort of got lulled into basically forgetting I was black, in - meaning that everyone you play at a conservatory, 95 percent of the characters are non-black.