How do I transform and be believable as Krogstad in "A Doll's House" or Sir Peter Teazle in "A School for Scandal".

I think in some ways, I would go back home, and I didn't really quite fit in and couldn't - didn't have a person to bounce those experiences off of. So I felt a little bit trapped within me, and it made me feel lonely because I really couldn't - the things that were exciting to me, I couldn't really share those with another kid and that other kid understand that.

When you graduate is when you start to find yourself looking at the information in the audition breakdown and it says tall black African - or African-American built such and such. And you start seeing these character descriptions and seeing that, oh, you're only going in for the ones that are described as your look.

When it finally came my way and doors opened up for me to do it and to be on stage, it felt like a natural thing to try out. And it just so happened to speak to me. I really couldn't do what I needed to do in the most fulfilling way in Hayward, Calif., or in the Bay Area, that it required me to go off to NYU.

I do think that there are people who are able to connect with and empathize with anyone who is going through something difficult, just naturally. I don't think it's a world of effort for everyone.

It felt like it disrupted my rhythm in growing up. But I will say that I'm really grateful for [my mother's] own personal transition.

My mother is an ordained minister. I'm a Muslim. She didn't do backflips when I called her to tell her I converted 17 years ago. But I tell you now, we put things to the side, and I was able to - I'm able to see her. She's able to see me. We love each other.