I think in some ways, I would go back home, and I didn't really quite fit in and couldn't - didn't have a person to bounce those experiences off of. So I felt a little bit trapped within me, and it made me feel lonely because I really couldn't - the things that were exciting to me, I couldn't really share those with another kid and that other kid understand that.

I think what I've learned from working on "Moonlight" is we see what happens when you persecute people. They fold into themselves.

I feel like [terrorism] acts are un-Islamic. So to see that happen and somebody do that in the name of God, it just - and the religion that you practice, it just - it hurts your heart so deeply because it's such a misrepresentation of the faith.

I had gone to - that was my second time going to the mosque. And then at that time we met [with my wife], she was Muslim and - but was at a point where - because her father is an imam and her mother, though, is a convert, but she was basically raised Muslim. And she was at that point where she was deciding or trying to come to terms with her own relationship with Islam and how to embrace that for herself. So I was sort of trying to come walk toward it.

I got into [acting] so late because of sports. And then when I was in grad school, I sort of got lulled into basically forgetting I was black, in - meaning that everyone you play at a conservatory, 95 percent of the characters are non-black.

I had read some books on the Baha'i Faith. I had read - I was looking into Buddhism and trying to understand sort of the agnostic approach, so there was just a bunch of stuff I was just looking at.

What inspires me today is a desire to get closer to an understanding of what my artistic capacities are with the hope of organically sharing my gifts with an audience in the most heightened way I possibly can.