There were many films made for both cinema and television, and in general I don't connect them very much with our books. I have one favorite: 'The Man on the Roof' by director Bo Widerberg, which was based on 'The Abominable Man.

Sweden is a small country, and a Swedish writer can barely make a living as an author. We were able to quit our jobs as journalists only after we had been translated into, among others, German.

When I was 11, I realised that I did not have to live the life my mother had: school, marriage, children, apartment, summer house.

Death is never very pretty.

You get tough when you grow up unloved. People described me as a boyish girl - rather shy, but I didn't show it. I had an attitude. I was rather wild. I lied a lot because I knew the alternative was to be punished. As I got older I realised I didn't have to lie any more and it was a nice feeling. I could be myself.

We wanted to describe society from our left point of view. Per had written political books, but they'd only sold 300 copies. We realised that people read crime and through the stories we could show the reader that under the official image of welfare-state Sweden there was another layer of poverty, criminality and brutality.

Yes, think what a lot of nonsense one can figure out with plenty of time. Brooding is the mother of ineffectiveness.