I think if it doesn't do what I say, if it doesn't do what I want, if it isn't politically subversive, if it isn't sexy, if it isn't stylish to make all that happen then it isn't truthfully worth listening to.

I believe that movies are fast becoming antique and dinosauric as a medium. Film is a medium for the over-40s and television has gone the same way. If you're going to look towards the new generation, then of course you're going to have to be a lot more random, spontaneous, irreverent and provocative with your programming.

To be a flamboyant failure, that's better than being any kind of benign success

Stealing things is a glorious occupation, particularly in the art world.

I've always embraced failure as a noble pursuit. It allows you to be anti whatever anyone wants you to be, and to break all the rules.

Sid Vicious began the age of participation in which everyone could be the artist. Sid proved that you don't have to play well to be the star. You can play badly, or not even at all. I endorsed that attitude. If you can't write songs, no problem - simply steal one and change it to your taste.

The thing about Paris, it's a great city for wandering around and buying shoes and nursing a cafe au lait for hours on end and pretending you're Baudelaire. But it's not a city where you can work.