I love women like Cate Blanchett and Tilda Swinton, who kind of go out on a limb and do their own thing. I find it very inspiring and it allows you to do what you want to do.

The funny thing is that my husband couldn't be sweeter. He looks like this bad boy. He's got tattoos and earrings and a mohawk, but when you talk to him and he's around you, he's such a gentleman. He holds doors for ladies. He pulls out chairs. He cooks. He cleans.

A lot of big studio films, which are fun and great, tend to have a formula, and you've seen it before, and it's a new version of it.

Every time I'm in Canada I feel more Swedish, and every time I'm in Sweden I feel more Canadian. I belong in both places and I love them both equally. It's funny because the Swedes claim me as their Swedish pride and the Canadians call me their Canadian girl. I'll take it all.

I think it's critical in any character you play that it really is about reacting instead of acting. You can always tell when a person is acting.

The excitement about independent filmmaking is that they're a little more open to taking chances. The studios are a little more careful, as far as who they choose for their film and what they're known for and staying in the genre because they know what works.

Modeling was never anything that was a career choice. I did catalog work in Toronto to make money so that I could go to school.