[Alex Haley] objective was to illustrate that the racial separatism of the N.O.I. was a kind of pathological or a kind of - it was the logical culmination of separatism and racial isolationism and exclusion.

We know from Talmadge Hayer, one of the men who carried out the assassination, who was shot by Ruben X as he tried to flee the Audubon after shooting Malcolm X, we know that Hayer confessed years later to his Imam in prison that there had been a walk-through a week prior to February 21st [1965] at the Audubon Ballroom.

Let me put it in a positive light, with that archive [of Anne Romaine], we have gained extensive knowledge about how [Alex] Haley and Malcolm X actually worked and how the book, the autobiography, was constructed.

Malcolm X had a habit of scribbling notes in small pieces of paper that [Alex] Haley would surreptitiously pick up at the end of their discussions.

The F.B.I. was very happy with the article they produced, which was entitled, "The Black Merchants of Hate," that came out in early 1963. What's significant about that piece is that that became the template for what evolved into the basic narrative structure of The Autobiography of Malcolm X.

What is clear is that Malcolm X incorporated within the framework of black nationalism a pan-Africanist and internationalist perspective. In doing so, he began to reassess radically earlier positions sexism and patriarchy. He began to break with notions of sexism that he had long held as a member of the Nation of Islam, and began to advance and push forward women leadership in the OAAU.

MMI brothers were very resistant to women such as Lynn Shiflet and others who emerged as leaders within the OAAU, so one of the tensions that occurred was around gender equality and gender leadership inside of Malcolm's X entourage.