Malcolm X had a clear vision and an understanding that we were - that he was a part of a broad freedom struggle.

Let me put it in a positive light, with that archive [of Anne Romaine], we have gained extensive knowledge about how [Alex] Haley and Malcolm X actually worked and how the book, the autobiography, was constructed.

[Alex Haley] objective was to illustrate that the racial separatism of the N.O.I. was a kind of pathological or a kind of - it was the logical culmination of separatism and racial isolationism and exclusion.

Malcolm X had a habit of scribbling notes in small pieces of paper that [Alex] Haley would surreptitiously pick up at the end of their discussions.

Malcolm X is a person who has inspired - he has been the muse of several generations of black cultural workers, artists, poets, playwrights.

What is striking is that from almost from the very beginning of certainly by September and October of 1963, as the book was being constructed, that [Alex] Haley was vetting - asking questions to the publisher and to the publisher's attorney regarding many of the things that Malcolm X was saying. He was worried that he would not have a book that would have the kind of sting that he wanted.

MMI brothers were very resistant to women such as Lynn Shiflet and others who emerged as leaders within the OAAU, so one of the tensions that occurred was around gender equality and gender leadership inside of Malcolm's X entourage.