I always love China, especially the old China.

Some people just use beautiful things to just shop or to have a tribal feeling - 'Oh, blah, blah, blah, I'm wearing Hermes; blah, blah, blah, I'm wearing Saint Laurent; blah-blah blah' - because it's like a need, a tribe, recognition: 'Ahh, my Rolex.' But I run away from anything which is too recognizable - it's my nature.

I love exaggerated, and I love eccentric, but you must be comfortable. Otherwise it is nonsense. There is nothing charming about a woman who cannot walk in her shoes.

I eat a lot of chocolate.

It's the only thing I get inspired by! I get inspired by dreams. Who cares about the rest?

But it is hard to resist the feeling that 70th was some kind of golden age.

I watched L'eclisse [1962] with Alain Delon and Monica Vitti. Changed my world. What a glamorous and modern film. This is what a genius is - the thing of a genius. The dresses, the tiny heels, the Cardin look, the boys dressed up as Italian gigolos - it was divine, very modern. [Michelangelo] Antonioni, I loved and I realized: how modern.