I remember reading To Kill A Mockingbird when I was 12. What I liked about it is that it was all seen through a child's eyes. It was Harper Lee going back and writing it from the way a child would see those things.

I can't even count how many times I did interviews with people and they asked me if I had a boyfriend. Keep in mind that I was, I guess, mild to moderately famous from ages 6 to 13. Of course I didn't have a boyfriend then. I didn't even have a camp boyfriend then.

I'm in my late 20s, and people are coming around to it again. I think they're realizing how much this stuff affects them. I think all the time about how much Judy Blume affected me, or Beverly Cleary. And I think that now some people are starting to come around and get more of an appreciation for [my stuff].

David Sedaris wrote in one of his books that people like to make children into little grown-ups, which to him is about as funny as a dog in sunglasses.

I was such a nerd. It just wasn't something I would have wanted. And I didn't want to act like an adult.

You always worry that everybody is secretly talking about you behind your back, everybody is secretly making fun of your voice, your figure, the way that you are during puberty, but it turned out, in real life, everybody was. On movie sets, they were all talking about these things, because they had to.

I was getting keys for my apartment, and I asked if I could get doubles, because I'm forgetful, and the woman there said, "Yeah, but it costs $5." I was like, "Oh, okay." But then she said, "Actually, you know what, I'm just going to give it to you for free. You were in that movie Mrs. Doubtfire, and that movie really helped me out in a time when I needed it. It got me through something, and it made me laugh when I needed to laugh.