The celebrity aspect is nothing short of ridiculous, and auditioning is brutal and dehumanizing. Every time I see a pretty young girl on the subway reading sides for an audition, my only thought is, 'Man, am I glad I'm not doing that anymore.' I never feel nostalgia, just relief.

It is annoying when people call me Matilda instead of my name when they actually know my name, because you know, we are two different people. But what can you do?

Whereas when I was a teenager, other teenagers didn't want anything to do with me. It was even like that in college to a degree. People of that age don't want anything to do with their childhood, because they had put away childish things, and they're trying to distance themselves.

The Hollywood stuff in the book tended to come later. I think it was because I was worried about leading with that stuff. I wanted to try to make sure that the other stories in the book were as interesting. I wanted to spend more time on them and craft them. The thing is, with writing, it's form or content.

I've always really loved stories told from the point of view of children.

Nobody cares about that. I do have guys every now and then who say - it's always guys by the way, it's never women - who say, "You were my childhood crush, can we date?" And I'm like, "There's something kind of creepy about that. Do you hear yourself?"

People who meet me as an adult are often surprised that I'm alive and have never been in prison or rehab. Sometimes they're disappointed I'm not cooler.