Soho has got to be at its centre. It's got such a history for rock, pop, poetry, jazz, writers, all those things, and I think it should be valued as such, and protected as this centre for bohemia.

Soho has got to be at its centre. It's got such a history for rock, pop, poetry, jazz, writers, all those things, and I think it should be valued as such, and protected as this centre for bohemia.

It's a shame in a way that people come and go with one album.

I love this idea of shape-shifting and changing when you put on clothes, and turn into somebody else.

On my Instagram, I'm always keeping a record of things being pulled down in Soho and shutters being closed. Every city - and London more than anywhere - has got to be a vibrant mix of all different things. We can't allow it to become a monoculture.

I mean whatever I do it's important that I put my stamp on it and keep it in my world, whether I'm doing a dance track or something like the Russian album for example.

Sometimes I ask myself, "Should I be out in a club?" But it's about realising I don't need to be always chasing after being who I was 20 or 30 years ago.