I don't see myself as having made the transition. I aim to be more transient than transitional. Life is constantly changing, now at a rate faster than ever, so being in a transitory state is the best way to keep pace.

Contrastingly to the new model of distribution, we shot Hand of God using the traditional format of film. I myself use very few apps and tend not to engage in social media. I do use Instagram under my production company's name, but that's it.

When talking with a set designer the dialogue is more centered on locations, interior design, what I like and what doesn't work. There is a certain taste I'm drawn to and feel inspired by, and finding that inspiration is what keeps the conversation moving forward.

You do a lot of press, but getting to talk and discuss movies with your peers is the best and most fulfilling part.

I always wanted to do an action movie, not particularly Bond.

I think people, unfortunately, do live in constant fear.

The key thing is that you start every film from sort of a blank page, almost like you discover it like a child discovers a new world.