I think people, unfortunately, do live in constant fear.

I realized that a lot of the great directors that I admire from [Ingmar] Bergman to [Fredrico] Fellini re always shooting, then going into the editing room, and shooting again.

I always wanted to do an action movie, not particularly Bond.

For me, The Kite Runner became about a guy who’s emotionally shut down because he hasn’t confronted his past.

It's important to keep up with technology, to constantly move with it. Striving to do so keeps me alert and creates a sense of fluidity but at the same time I like to distance myself from it. It's key for my process to try and remain outside the bubble.

All movements begin and end, and all have been inspired by others that have come before them. They evolve and then deconstruct again. There are very few designers whose aesthetic I'm drawn to on a personal level. However, that's different from the ways in which I might dress the characters in my films.

Three days after my brother died, my father was in the hospital. He just did not want to live anymore. Before, he was fighting and loving life.