When you design a dress you ask yourself, would woman like it or no. It's much more of a creative process, not a research or trying to make somethings that sells or appeals. I hope that it will appeal to somebody, but it isn't what drives me.

Sometimes there are two very opposite directions, and we go with the stronger one at the end. It's an impulse thing, like, 'Oh, I love both so much, but it's got to be one or the other because the two don't work together.'

Design is a series of creative choices - it's a collaborative effort, an evolutionary process. You choose your fabrics depending upon what you want to say, then you work with mills to get those fabrics. Through the process, you realize what you want it to be.

It's sometimes said that I'm rebellious and I do things to push people's buttons, but I just like the challenge.

I like spending time at home. In Paris, people drop by and have a bite to eat, or they drop by and watch Friends on TV. I take my dog to the office there, and I walk to work sometimes.

I love my life. I can't believe I work in New York and Paris. That I work for Louis Vuitton. That I work for Marc Jacobs. It seems really weird every time I say my full name - like, that's me, and every time I hear the receptionist say my name, it's still weird.

Whether it's an $11 flip-flop or a $2 key ring or a $2,000 dress, they're all done with integrity. They're all done with a design sense. As long as the creativity exists, then I don't think it's a sellout. A sellout is putting your name on any piece of crap and then expecting people to buy it because it's got your name on it.