A lot of models achieve that kind of iconic position by working primarily with one photographer.

Sometimes there are two very opposite directions, and we go with the stronger one at the end. It's an impulse thing, like, 'Oh, I love both so much, but it's got to be one or the other because the two don't work together.'

Let's do what we love and do a lot of it.

I do think that in order for a company to be interesting to the investment community, there needs to be a plan; there needs to be a bigger retail footprint. There needs to be this idea - DNA, lifestyle, words I hate.

I love my life. I can't believe I work in New York and Paris. That I work for Louis Vuitton. That I work for Marc Jacobs. It seems really weird every time I say my full name - like, that's me, and every time I hear the receptionist say my name, it's still weird.

Fashion is such a fairytale and it is such a fantasy. And it's about metamorphosis and sort of changing yourself and playing a part that you want people to see.

The attention toward me is basically because of what we've built as a company. If we built a pile of crap then nobody would care what I ate for lunch.