So we don't believe that life is beautiful because we don't recall it but if we get a whiff of a long-forgotten smell we are suddenly intoxicated and similarly we think we no longer love the dead because we don't remember them but if by chance we come across an old glove we burst into tears.

... But all the feelings that evoke in us the joy or the misfortune of a real person are only produced in us through the intermediary of an image of that joy or that misfortune; the ingeniousness of the first novelist was in understanding that, in the apparatus of our emotions, since the image is the only essential element, the simplification which consists of purely and simply suppressing the factual characters is a definitive improvement.

It is not because other people are dead that our affection for them grows faint, it is because we ourselves are dying.

... in love, barriers cannot be destroyed from the outside by the one to whom the cause despair, no matter what he does; and it isonly when he is no longer concerned with them that, suddenly, as a result of work coming from elsewhere, accomplished within the one who did not love him, these barriers, formerly attacked without success, fall futilely.

For one cannot change, that is to say become another person, while continuing to acquiesce to the feelings of the person one no longer is.

True variety is in that plenitude of real and unexpected elements, in the branch charged with blue flowers thrusting itself, against all expectations, from the springtime hedge which seems already too full, while the purely formal imitation of varietyis but void and uniformity, that is, that which is most opposed to variety.

A collection of bad love songs, tattered from overuse, has to touch us like a cemetery or a village. So what if the houses have no style, if the graves are vanishing under tasteless ornaments and inscriptions? Before an imagination sympathetic and respectful enough to conceal momentarily its aesthetic disdain, that dust may release a flock of souls, their beaks holding the still verdant dreams that gave them an inkling of the next world and let them rejoice or weep in this world.