Now the same mystery which often veils from our eyes the reason for a catastrophe envelops just as frequently, when love is in question, the suddenness of certain happy solutions, such as had been brought to me by Gilberte's letter. Happy, or at least seemingly happy, for there are few that can really be happy when we are dealing with a sentiment of such a kind that any satisfaction we can give it does no more, as a rule, than dislodge some pain. And yet sometimes a respite is granted us, and we have for a little while the illusion of being healed.

It is not only by dint of lying to others, but also of lying to ourselves, that we cease to notice that we are lying.

Perhaps the pleasure one feels in writing is not the infallible test of the literary value of a page; perhaps it is only a secondary state which is often superadded, but the want of which can have no prejudicial effect on it. Perhaps some of the greatest masterpieces were written while yawning.

We pack the physical outline of the creature we see with all the ideas we have already formed about him, and in the complete picture of him we compose in our minds those ideas have certainly the principal place.

Instead of seeking new landscapes, develop new eyes.

But sometimes the future is latent in us without our knowing it, and our supposedly lying words foreshadow an imminent reality.

I find very reasonable the Celtic belief that the souls of our dearly departed are trapped in some inferior being, in an animal, aplant, an inanimate object, indeed lost to us until the day, which for some never arrives, when we find that we pass near the tree, or come to possess the object which is their prison. Then they quiver, call us, and as soon as we have recognized them, the spell is broken. Freed by us, they have vanquished death and return to live with us.