It is the tragedy of other people that they are to us merely showcases for the very perishable collections of our own mind.

One becomes moral as soon as one is unhappy.

She poured out Swann's tea, inquired "Lemon or cream?" and, on his answering "Cream, please," said to him with a laugh: "A cloud!" And as he pronounced it excellent, "You see, I know just how you like it." This tea had indeed seemed to Swann, just as it seemed to her; something precious, and love has such a need to find some justification for itself, some guarantee of duration, in pleasures which without it would have no existence and must cease with its passing.

... in love, barriers cannot be destroyed from the outside by the one to whom the cause despair, no matter what he does; and it isonly when he is no longer concerned with them that, suddenly, as a result of work coming from elsewhere, accomplished within the one who did not love him, these barriers, formerly attacked without success, fall futilely.

Are not the thoughts of the dying often turned towards the practical, painful, obscure, visceral aspect, towards the "seamy side" of death which is, as it happens, the side that death actually presents to them and forces them to feel, and which far more closely resembles a crushing burden, a difficulty in breathing, a destroying thirst, than the abstract idea to which we are accustomed to give the name of Death?

A man of letters, merely by reading a phrase, can estimate exactly the literary merit of its author.

For everyone who, having no artistic sense-that is to say, no submission to subjective reality-may have the knack of reasoning about art till doomsday, especially if he be, in addition, a diplomat or financier in contact with the 'realities' of the present day, is only too ready to believe literature is an intellectual game which is destined to gradually be abandoned as time goes on.