I cannot express the uneasiness caused in me by this intrusion of mystery and beauty into a room I had at last filled with myself to the point of paying no more attention to the room than to that self. The anesthetizing influence of habit having ceased, I would begin to have thoughts, and feelings, and they are such sad things.

If, I can someday see M. Claude Monet's garden, I feel sure that I shall see something that is not so much a garden of flowers as of colours and tones, less an old-fashioned flower garden than a colour garden, so to speak, one that achieves an effect not entirely nature's, because it was planted so that only the flowers with matching colours will bloom at the same time, harmonized in an infinite stretch of blue or pink.

The time at our disposal each day is elastic; the passions we feel dilate it, those that inspire us shrink it, and habit fills it.

Everything that seems imperishable tends to extinguishment.

The artist who gives up an hour of work for an hour of conversation with a friend knows that he is sacrificing a reality for something that does not exist (our friends being friends only in the light of an agreeable folly which travels with us through life and to which we readily accommodate ourselves, but which at the bottom of our hearts we know to be no more reasonable than the delusion of the man who talks to the furniture because he believes that it is alive.).

... in love, barriers cannot be destroyed from the outside by the one to whom the cause despair, no matter what he does; and it isonly when he is no longer concerned with them that, suddenly, as a result of work coming from elsewhere, accomplished within the one who did not love him, these barriers, formerly attacked without success, fall futilely.

Our shadows, now parallel, now close together and joined, traced an exquisite pattern at our feet.