We must love men more than things, and I admire and weep more for the soldiers than for the churches which were only the recording of an heroic gesture which today is reenacted at every moment.

After a certain age our memories are so intertwined with one another that what we are thinking of, the book we are reading, scarcely matters any more. We have put something of ourselves everywhere, everything is fertile, everything is dangerous, and we can make discoveries no less precious than in Pascal's Pensées in an advertisement for soap.

But when from a long-distant past nothing subsists, after the people are dead, after the things are broken and scattered, taste and smell alone, more fragile but more enduring, more unsubstantial, more persistent, more faithful, remain poised a long time, like souls, remembering, waiting, hoping, amid the ruins of all the rest; and bear unflinchingly, in the tiny and almost impalpable drop of their essence, the vast structure of recollection.

There is in this world in which everything wears out, everything perishes, one thing that crumbles into dust, that destroys itself still more completely, leaving behind still fewer traces of itself than Beauty: namely Grief.

We don't receive wisdom; we must discover it for ourselves after a journey that no one can take for us or spare us.

And so it is with our own past. It is a labour in vain to attempt to recapture it: all the efforts of our intellect must prove futile. The past is hidden somewhere outside the realm, beyond the reach of intellect, in some material object (in the sensation which that material object will give us) of which we have no inkling. And it depends on chance whether or not we come upon this object before we ourselves must die.

Photography is the product of complete alienation.