Thanks to art, instead of seeing one world only, our own, we see that world multiply itself and we have at our disposal as many worlds as there are original artists, worlds more different one from the other than those which revolve in infinite space, worlds which, centuries after the extinction of the fire from which their light first emanated, whether it is called Rembrandt or Vermeer, send us still each one its special radiance.

The only possible paradises are those we have lost

The places we have known do not belong solely to the world of space in which we situate them for our greater convenience. They were only a thin slice among contiguous impressions which formed our life at that time; the memory of a certain image is but regret for a certain moment; and houses, roads, avenues are as fleeting, alas, as the years.

We love only what we do not wholly possess.

The reason why life may be judged to be trivial although at certain moments it seems to us so beautiful is that we form our judgment, ordinarily, not on the evidence of life itself but of those quite different images which preserve nothing of life-and therefore we judge it disparagingly.

When I was small child, all that belonged to conservative society was fashionable, and no republicans were welcome in the smartersalons. People living in such a milieu could imagine that the impossibility of ever inviting an "opportunist", much less a "radical", was a thing that would last forever, like gas lamps and horse-drawn omnibuses. But similar to kaleidoscopes turning from time to time, society successively places in various ways elements which were thought to be immutable and creates a new composition.

No exile at the South Pole or on the summit of Mont Blanc separates us more effectively from others than the practice of a hidden vice.