A picture's beauty does not depend on the things portrayed in it.

We love only what we do not wholly possess.

We have nothing to fear and a great deal to learn from trees, that vigorours and pacific tribe which without stint produces strengthening essences for us, soothing balms, and in whose gracious company we spend so many cool, silent, and intimate hours.

And wasn't my mind also like another crib in the depths of which I felt I remained ensconced, even in order to watch what was happening outside? When I saw an external object, my awareness that I was seeing it would remain between me and it, lining it with a thin spiritual border that prevented me from ever directly touching its substance; it would volatize in some way before I could make contact with it, just as an incandescent body brought near a wet object never touches its moisture because it is always preceded by a zone of evaporation.

It has been said that beauty is a promise of happiness. Conversely, the possibility of pleasure can be a beginning of beauty.

A sleeping man holds in a circle around him the thread of the hours, the order of years and of worlds. He consults them instinctively upon awaking and in one second reads in them the point of the earth that he occupies, the time past until his arousal; but their ranks can be mingled or broken.

The soldier is convinced that a certain indefinitely extendable time period is accorded him before he is killed, the burglar before he is caught, men in general, before they must die. That is the amulet which preserves individuals — and sometimes populations — not from danger, but from the fear of danger, in reality from the belief in danger, which in some cases allows them to brave it without being brave. Such a confidence, just as unfounded, supports the lover who counts on a reconciliation, a letter.