Our memory is like a shop in the window of which is exposed now one, now another photograph of the same person. And as a rule the most recent exhibit remains for some time the only one to be seen.

People can have many different kinds of pleasure. The real one is that for which they will forsake the others.

If, I can someday see M. Claude Monet's garden, I feel sure that I shall see something that is not so much a garden of flowers as of colours and tones, less an old-fashioned flower garden than a colour garden, so to speak, one that achieves an effect not entirely nature's, because it was planted so that only the flowers with matching colours will bloom at the same time, harmonized in an infinite stretch of blue or pink.

The facts of life do not penetrate to the sphere in which our beliefs are cherished; they did not engender those beliefs, and they are powerless to destroy them.

It is often hard to bear the tears that we ourselves have caused.

Life is extraordinarily suave and sweet with certain natural, witty, affectionate people who have unusual distinction and are capable of every vice, but who make a display of none in public and about whom no one can affirm they have a single one. There is something supple and secret about them. Besides, their perversity gives spice to their most innocent occupations, such as taking a walk in the garden at night.

This labour of the artist to discover a means of apprehending beneath matter and experience, beneath words, something different from their appearance, is of an exactly contrary nature to the operation in which pride, passion, intelligence and habit are constantly engaged within us when we spend our lives without self-communion, accumulating as though to hide our true impressions, the terminology for practical ends which we falsely call life.