Hollywood is a deeply odd place. There are so many factors that have to go perfectly, so many schedules and visions that have to snap together for a film even to be made, much less be good.

Once I came to really understand the mechanics of three-act structure, my life got a great deal easier. It doesn't tell you how to write your book, but it helps you understand why things aren't working, or what kind of beat needs to come next.

I'm always geeking out about something.

The world would be a better place if people stopped voting for folksy candidates they could have a beer with and started voting for people smarter than they are.

No matter how long you spend at creation, you're always a student.

I didn't want to just write a series - I wanted to write an epic, on story that spans three books, where decisions made in the first impact the last.

Trying to analyze a situation without enough data was like looking at a photograph of a ball in flight and trying to gauge its direction. Is it going up, down, sideways? Is it about to collide with a baseball bat? Is it moving at all, or is something on the blind side holding it in place? A single frame didn't mean a thing. Patterns were based on data. With enough datapoints, you could predict just about anything.