In all matters but particularly in architecture, that which is signified is the subject of which we may be speaking and that which gives significance is a demonstration on scientific principles. One who professes himself an architect should be well versed in both directions.

Music, also, the architect ought to understand so that he may have knowledge of the canonical and mathematical theory, and besides be able to tune ballistae , catapultae, and scorpiones to the proper key. For to the right and left in the beams are the holes in the frames through which the strings of twisted sinew are stretched by means of windlasses and bars, and these strings must not be clamped and made fast until they give the same correct note to the ear of the skilled workman.

In felling a tree we should cut into the trunk of it to the very heart, and then leave it standing so that the sap may drain out drop by drop throughout the whole of it... Then and not till then, the tree being drained dry and the sap no longer dripping, let it be felled and it will be in the highest state of usefulness.

Consistency is found in that work whose whole and detail are suitable to the occasion. It arises from circumstance, custom, and nature.

Bricks should be made in Spring or Autumn so that they may dry uniformly.

There are two styles of walls "opus reticulatum," now used by everybody and the ancient style called "opus incertum." Of these, the reticulatum looks better, but its construction makes it likely to crack. On the other hand, in the opus incertum, the rubble lying in courses and imbricated, makes a wall which though not beautiful, is stronger.

Architect's designs must refer to the unquestionable perfection of the body's symmetry and proportions. If a building is to create a sense of eurythmia, it is essential that it mirrors these natural laws of harmony and beauty