But we still find the world astounding, we can't get enough of it; even as it shrivels, even as its many lights flicker and are extinguished (the tigers, the leopard frogs, the plunging dolphin flukes), flicker and are extinguished, by us, by us, we gaze and gaze. Where do you draw the line, between love and greed? We never did know, we always wanted more. We want to take it all in, for one last time, we want to eat the world with our eyes.

The short answer to 'Why do you write' is - I suppose I write for some of the same reasons I read: to live a double life; to go places I haven't been; to examine life on earth; to come to know people in ways, and at depths, that are otherwise impossible; to be surprised.

To want is to have a weakness.

In the end, we'll all become stories.

Writers and books are cheap dates, especially when you compare the cost of a book with a ticket to the opera - or an NHL game.

Plague has hung over human history. The biggest human extinction was after 1492 in North and South America when the mortality rate was 95 per cent, which is enormous. But again, I'm actually giving you grounds for optimism: There were enough to continue. The five per cent who made it through are what you need to survive a bottleneck, which we have been through before.

Walking along past the store windows, into which she peers with her usual eagerness, her usual sense that maybe, today, she will discover behind them something that will truly be worth seeing, she feels as if her feet are not on cement at all but on ice. The blade of the skate floats, she knows, on a thin film of water, which it melts by pressure and which freezes behind it. This is the freedom of the present tense, this sliding edge.