When I am writing fiction, I believe I am much better organized, more methodical - one has to be when writing a novel. Writing poetry is a state of free float.

I think the main thing is: Just do it. Plunge in! Being Canadian, I go swimming in icy cold lakes, and there is always that dithering moment. "Am I really going to do this? Won't it hurt?" And at some point you just have to flop in there and scream. Once you're in, keep going. You may have to crumple and toss, but we all do that. Courage! I think that is what's most required.

Anybody who writes a book is an optimist. First of all, they think they're going to finish it. Second, they think somebody's going to publish it. Third, they think somebody's going to read it. Fourth, they think somebody's going to like it. How optimistic is that?

I was unfair to him, of course, but where would I have been without unfairness? In thrall, in harness. Young women need unfairness, it's one of their few defenses. They need their callousness, they need their ignorance. They walk in the dark, along the edges of high cliffs, humming to themselves, thinking themselves invulnerable.

Writing poetry is a state of free float.

As an artist your first loyalty is to your art. Unless this is the case, you're going to be a second-rate artist. I don't mean there's never any overlap. You learn things in one area and bring them into another area. But giving a speech against racism is not the same as writing a novel. The object is very clear in the fight against racism; you have reasons why you're opposed to it. But when you're writing a novel, you don't want the reader to come out of it voting yes or no to some question. Life is more complicated than that. Reality simply consists of different points of view.

A language is everything you do.