As William Gibson says, the future is already here but it's lumpy. It's unevenly distributed. Some people are already living this, the ones on low-lying islands off the coast of India are being swept away, you know, it's already happening to some people. We happen to be very lucky so far.

When I am writing fiction, I believe I am much better organized, more methodical - one has to be when writing a novel. Writing poetry is a state of free float.

Make the verses flow together. If a following verse has nothing to do with the previous, you may lose our listener/reader. You want a smooth flow to hear or read, and it's easier to memorize.

Books are frozen voices, in the same way that musical scores are frozen music. The score is a way of transmitting the music to someone who can play it, releasing it into the air where it can once more be heard. And the black alphabet marks on the page represent words that were once spoken, if only in the writer's head. They lie there inert until a reader comes along and transforms the letters into living sounds. The reader is the musician of the book: each reader may read the same text, just as each violinist plays the same piece, but each interpretation is different.

In the early fight for women's rights, the point was not that women were morally superior or better. The conversation was about the difference between men and women - power, privilege, voting rights, etc. Unfortunately, it quickly moved to the "women are better" argument. If this were true in life or in fiction, we wouldn't have any dark or deep characters. We wouldn't have any Salomes, Carmens, Ophelias. We wouldn't have any jealousy or passion.

You quickly find, when you are a hand-reader as I am, that nothing interests people so much as themselves.

Writing poetry is a state of free float.